Showing posts with label Blue's Reviews. Show all posts
Showing posts with label Blue's Reviews. Show all posts

2009-06-24

Blue's Reviews: Party Down






With the X-Box 360 back in play and a free Live membership for a month in hand, I decided it was an opportune time to try and get the 360 on the wireless network again without paying for the ridiculously overpriced Microsoft Wireless Adapter.  With a loaner Airport Extreme and a little more effort than I would've liked, the network had a new addition to the family.  The first thing I wanted to try was not online gaming but rather the Watch Instantly feature on Netflix.


As the kids would say...


OMG!


It's simply awesome to be able to stream movies and TV shows across the 360 and watch them on the television.  One of the first things I had looked for was the Starz series Party Down.  Party Down was of special interest to me since it was co-created by Veronica Mars creator Rob Thomas [no, not THAT Rob Thomas] and featured a lot of the VM stars.  It's kind of a "class reunion" of sorts.


But that's just the hook.  The best part of it is that this comedy series about a bunch of aspiring or failed actors working in a party catering company is actually god damn hilarious.  It has fun characters that you instantly can relate to and develop a feeling one way or another for.  It's got pretty decent storytelling with both the main characters as well as the guest stars involved.  


And in true comedic fashion... it's got the quotables, my favorite of which was a three way tie.


1)  "SNAP, MOTHERFUCKERS!" - So, so simple.  So, so glorious.
2)  "I think they prefer to be called Jigroes" - Hehehehehehehehe.
3)  "Jim Abbott" - 'nuff said.


Now, you're sitting there thinking I'm a tremendous jackass for putting in those quotables and not explaining the context of them, right?


WRONG!


That's my way of getting you to go out and watch Party Down.  If you're a fan of Veronica Mars especially or just a fan of comedy in the vein of The Office but a little bit darker and more cynical, you'll dig it muchly.

2009-05-26

Blue's Reviews: Star Trek (spoilers ahead!)

I promised the review and despite the urge to address what happened in California today, I shall do so.

STAR TREK

DISCLAIMER: I write this review having seen only one Star Trek movie - the very first one. I saw it many, many moons ago as a child and remember nothing about it other than I fell asleep during it. I haven't seen a single Trek movie since then. I also have never seen The Next Generation or Voyager or...I think that's it, right? I was a fan of Deep Space Nine for 2 or 3 seasons but gave it up long before the end. So, with that in mind, I go into the movie with no love of the franchise to insult.

That being said...

I dug it. I really dug it. It was a fun, exciting, amusing sci-fi flick and J.J. Abrams outdid himself, IMO. It had just enough geek to stay sci-fi but not enough to drown in (although the Missus wasn't feelin' the time travel stuff.) As a non-Star Trek fan but someone familiar with some of the Trekisms, it was cool to see them effort to work in the, "Damn it, Jims" and "I'm givin' it all she's got, Captain!"

The appearance of old Spock caught me by surprise. I knew Leonard Nimoy was in the movie but I assumed it was just a cameo. That was no cameo. He played a major part in the movie and even as a non-fan, I got a little bit of a chill when he arrived on the scene. It makes me glad that the Shatner stuff didn't work out because I think that might have been overkill.

So, I liked the action, the humor, the effects... the acting was "okay." It wasn't Oscar-worthy but it doesn't need to be. It was good enough for what it needed to be and didn't distract from the movie.

What didn't I like?

There were a few Lucas-esque "Let's do this crazy creature/action scene just because we can" moments especially on the ice planet thing that as a Star Wars fan instantly reminded me of Hoth. Also, there were a couple of comedic sequences that seemed kinda... odd. Not quite Peter Parker in a dance sequence odd but approaching that level. I've read a few interviews where the filmmakers thought that humor was very important to the movie so... well, they accomplished that.

But all in all, I really was happy with the movie and I have a feeling I'm going to be very glad this was my first movie of the summer instead of Wolverine or Terminator.

What does it take to get a non-Star Trek fan enthused enough to rush out to see Star Trek?

Four words: In J.J. we trust.

2009-05-02

Movie Added: Sugar

My best laid plans of seeing three movies today fell by the wayside for some house hunting...

BUT, I did manage to get to see one of the movies on my list - Sugar.

Sugar's the story of a young man from the Dominican Republic looking to make it to the big leagues as a pitcher. The story follows his path from one of the youth camps in the DR that baseball fans often hear about to spring training and... well, to preserve a non-spoiler setting, we'll just say "on from there."

I really dug the movie as I thought it painted a very strong [and probably very realistic] picture of what that transition must be like for those players. As a baseball fan, of course, I dig all the Spring Training and "on from there" stuff as it seemed more realistic than a lot of the past baseball movies have handled that topic.

The ending I also found to be very satisfying as it was one that you can take as either a depressing ending or an uplifting ending, depending on how you perceive the rest of the movie's plot as well as the main character's desires.

Give a bonus point to some excellent music including a Spanish cover of "Hallelujah" and you've got a very solid basehit on your hands. Maybe not a homerun - but definitely a line drive to the gap.

BLUE'S REVIEW: Definitely see this if you're a baseball fan. If you're not, you may not enjoy it as much but I think there's enough there for you to warrant a viewing. Fair warning though - there are some subtitles involved so be prepared for some light reading.

2009-04-18

Movie Added: Pineapple Express

Potentially, there could have been more added to this list today.

We went to the Block of Orange today with the intent of going to the movies. Now, I must add that we went there much to my dismay. Of all the shitty malls in SoCal, The Block has GOT to be one of my least favorite. But we were going anyways because we wanted to have dinner there.

But then... it happened.

THE FUCKING TICKET MACHINES DIDN'T WORK! WHAT THE FUCK?!

So, we had dinner and left. Now, that may seem a bit extreme but... well, when you're going to a place under protest, it doesn't take much to make you bail out.

No movie there.

We came home and I told the Missus to watch the copy of Rachel Got Married we rented last weekend so we could return it.

Holy shit... that movie was bad. I mean, colossally bad. Horrifically bad. It was... bad.

It was too annoying to watch so I bailed out about five minutes before the Missus turned it off because it was driving her crazy as well.

So, in the end...

Pineapple Express
I'm not sure what to say about this one. It has weird, silly comedy that a lot of people just might not get if you've never smoked weed or been around people when they were. There were scenes that I could relate to that I'm sure others would not. But all in all, there was some funny shit there.

Blue's Review: If you like goofy, silly, drug-addled comedy... SEE IT!

2009-04-11

Movies Added: Role Models & The Transporter

Picked up a handful of movies at Blockbuster today to help pass the weekend by. I had read last week that the Blockbuster chain announced in a SEC filing that they are considering closing the brick and mortar versions of their stores and moving to a strictly online business model. The store was pretty dead when we were in there so... might not be a bad idea.

Anyways... my thoughts on these flicks...

Role Models
I didn't really care to see this one and when we were trying to decide what to get, this is the one I fought the most. I just couldn't imagine paying to see anything with Stifler in it and let's face it, that's all he's going to ever be to anyone. He could be working in a heartfelt, World War II period piece about the Holocaust and he'd still be Stifler to me.

Hrm.

That might be fun actually. Write that down!

Anyways, the movie wasn't as bad as I feared. There was nothing fantastic about it but it had a few touching parts and some amusing scenes. All in all, it's a comedy that doesn't completely annoy me and those are few and far between anymore. Oh, by the way... he basically played Stifler in this. This easily could have been an American Pie spinoff minus the grossout humor.

BLUE'S REVIEW: I wouldn't pay to see it but if you see it on your favorite movie channel, I might give it a watch.

The Transporter
I know, I know. I'm probably one of the last people in the world to see this one. I just hated the second Bourne movie so much, I fear almost all action movies that look to be cut out of a similar cloth. This one was more in the vein of Shoot 'Em Up - which is actually the other way around by far. I liked it... sorta. Again, I wasn't blown away by it and would never buy it but it was a decent watch with some fun chase scenes and wacky martial arts stuff. The action wasn't as jumpcutty as Bourne so that was cool.

BLUE'S REVIEW: Yeah, if you haven't seen it, it's worth the rental.

2009-03-12

Movie Added: Burn After Reading



In my quest to watch more movies in 2009, I finally got around to watching Burn After Reading tonight. It was a solo watch as the Missus fell asleep right away and missed most of it.

I really hate to review this right now because past experience shows me that Coen Bros films take repeated viewings before true appreciation is reached. I distinctly remember hating Fargo the first time I saw it in the theaters. I don't remember the first time I saw The Big Lebowski but I know I didn't think it was very good and now it's easily one of my favorite movies. And of course, we have the No Country For Old Men review disaster from January of last year. Suffice to say - it takes some time to grow to love a Coen Bros. movie.

So, with that in mind, I give this movie a very spineless - "it was okay."

I thought it had some very good moments and some very dull moments and a lot of in-between. Brad Pitt easily stole the show with a goofy, off-kilter character that made me laugh no matter what he was doing. If he'd stuck around for more of the movie, I might have liked it a whole lot more. After his exit, the movie felt a little flat to me. The majority of the humor had been sucked out of it and all that was left was a convoluted crime quasi-drama.

The Coens seem to be fans of the theory that even the most innocent moment in life can turn into a violent clusterfuck that ends in a rain of gunfire and burned bodies.

Can't blame 'em for that, can ya?

In the end, I felt I didn't waste my time in watching it but I could also see how it probably wasn't very accessible to the average movie watcher. If you're a Coen Bros fan, you'll probably enjoy it. If you're not, this probably won't change your mind.

BLUE'S REVIEW: MAYBE SEE!

2008-12-01

Blue's Review: Quantum Of Solace

I was listening to the aforementioned /filmcast this morning for their review of Quantum Of Solace - a review that reminded me that I never actually did my review of the movie.

So, here goes.

It sucks.

Honestly, I could probably pretty much leave it at that and be happy with my analysis. But for your benefit, I'll say some more.

It really sucks.

Better?

The plot? Sucks. The acting? Sucks. The editing? Sucks. The action? Well, okay, the action's alright. So, if you're the kind of person who goes to a movie just for the action and effects, you should go see it.

But everything else blew and was majorly disappointing after the awesomeness that was Casino Royale.

I'm not going to give the "Oh, it doesn't feel like a Bond movie" argument because as a non-Bond fan, I really don't give a shit if he says, "Bond, James Bond" or order a martini "shaken not stirred" or if there's crazy gadgets that he uses. That's not what I care about as a non-Bond fan. It's much like I don't give a fuck if the bridge of the Enterprise in the new Star Trek movie looks like an Apple Store like so many people are bitching about. I'm not a Trekkie so I don't care.

What I do care about in Quantum of Solace is a plot that is at least mildly interesting and easy to follow. QoS fails on both accounts. It's complicated and has all the depth of Ridley Scott's Monopoly Thimble. There's no emotional investment in the plot and somehow they manage to piss away the emotional investment in the characters as well. The acting is... well, shoddy at best. Daniel Craig does an adequate job as Bond. Judi Dench is cool as M again - probably the only one I don't have a complaint with. But all the other characters are forgettable at best.

My biggest complaint though is the editing. I hate jumpcut editing. I hate the desire to make the action "feel fast." I blame the Bourne movies - which I really didn't like either. But it's one of the things that I really disliked about the Transformers movie too. There's just too many action sequences where you feel like you can't figure out what the fuck is going on and who is who and who is driving what vehicle and what have you. QoS just had too many action sequences where I had to struggle to understand who was doing what for me to enjoy it.

In the end, the worst thing about QoS is that it's completely forgettable. The day after we saw it, I could barely remember a thing about it. And even now, I can basically remember the big action sequence at the end and that's about it. There were a few moments they discussed in the /filmcast review that I had no recollection of at all honestly.

And if you can't remember a film a day [or week] after seeing it, you really can't say anything worse about it, can you?

It's a pass, guys. Catch it on DVD, maybe... HBO someday, sure... but don't waste your ten bucks to see it on the big screen.

2008-10-02

Blue's Reviews: A Trio Of Musicals

Long-time readers of this blog have heard [read] it said before...

To quote my brother-in-law, I "have an affinity for musicals." I just can't help it. There's just something about an entire story presenting in the form of song that I just can't resist. I mean, you should have seen my face light up at the rumor yesterday that there may be a musical edition of Pushing Daisies down the road. Awesome.

Anyways, this is a long-delayed review so I decided to make it a super-sized one combining three separate reviews that I had intended on doing. I had planned on still doing them separately but then it occurred to me that since each was reviewing a musical - each in a different form - it would be kinda cool to mix them all into one. And thus, we arrive at this point in the road.

Dr. Horrible's Sing-Along Blog



I talked a little bit about this in a post a couple of weeks ago but didn't even scratch the surface of how genius I thought this was. The backstory behind the creation of this is that Joss Whedon wrote it during the WGA Writer's Strike as a simple, inexpensive way to demonstrate that quality product could be made explicitly for the Internet - kinda a jab at the suits who didn't want to give the writers their due for Internet work because it was a "unproven field." It was initially released for free on the Internet and quickly gained a cult following - a Joss Whedon show gaining a cult following? Go figure! I knew I probably would love it because... well, I love Joss Whedon and his work... but somehow I kept managing to not get to see it. That finally changed a few weeks ago when the Missus and I both watched it on Hulu and were blown away.

You have to start with the cast because whether you want to admit it or not, the idea of Neil Patrick Harris and Nathan Fillion as opposing superheroes and villains is just so damn awesome, how can you not watch it? Add in Felicia Day who did just fine in her role as Penny, the unrequited love of Dr. Horrible's life, and you've got yourself a winning combination.


The plot is simple enough to follow but complex enough that after the 42 minutes of the "show," it leaves you wanting more. We've got Billy/Dr. Horrible shooting a video blog of himself and talking about wanting to join the Evil League of Evil - no, that's not a typo. He's been striving to join the League for a long time and is looking for the appropriate evil deed to gain entry. But Dr. Horrible is not your ordinary supervillain. He's in love. Penny is the apple of his eye - but she's never even noticed him despite their weekly visits to the same laundromat. Horrible is trying to make a freeze ray and hopes that his public theft of his final needed ingredient will gain the respect of Bad Horse, the leader of the League. From there, our story unfolds with the arrival of Horrible's arch-nemesis, Captain Hammer and hilarity ensues.

Until the end - which will likely knock the wind out of you and leave you cursing Joss Whedon a bit. But you'll have to admit the man knows how to rip a visceral emotional reaction out of you. And if you've seen the Buffy musical, you'll also have to admit he makes a damn fine, catchy-as-all-hell musical.

The best praise I can heap upon Dr. Horrible's Sing-Along Blog is that when it ends - you actually want a sequel. And as someone who has actually attended a "Once More With Feeling" [the Buffy musical] sing-along, I have to wonder if at some point, Dr. Horrible sing-alongs will become the norm.

From the land of Internet videos, we move on to the stage.

Wicked - Pantages Theatre, Hollywood, California - September 17, 2008

For a long while now, the Missus and I have planned on going to see Wicked over at the Pantages before it wraps up its' run in a couple of months. So, when the opportunity presented itself to get some damn fine seats through Costco for her birthday, we decided to make the plunge. This was our second time seeing Wicked - the first being at the Orange County Performing Arts Center a couple of years ago. This version blew that one out of the water.

For those unaware, Wicked is the story of The Wizard Of Oz told through a slightly skewed point of view. As the marketing materials say, "A Lot Happened Before Dorothy Dropped In." The story actually leads up to that point and goes a little bit beyond it which creates a few plot conflicts for people who know The Wizard Of Oz - like those of us who remember it only being shown once a year on television on CBS as a child and waited every year for that showing - but if you can ignore the conflicts, you'll enjoy it just fine. The story is also loosely based on a novel - but in my opinion, this is one of the few instances where the movie/play/etc. FAR exceeds what the novel pulled off. In fact, the novel is high on my "Do Not Recommend" list. Don't read it thinking you'll like it because you liked the musical version.

Again, we'll start with the cast. There's three cast members in Wicked that need to not suck to successfully pull the show off. Glinda, Elphaba [the Wicked Witch... or is she?], and Fiyero. This particular cast hit two of those out of the park and... well, the other was okay. First, the bad. Derrick Williams just did not fly for me as Fiyero. The role of Fiyero is the spoiled rich kid who is used to having everything go his way as he "dances through life." But Williams just failed at expressing that to me. It also might have had something to do with the image of Fiyero in my mind. I always picture him as a long-haired, hippie type - something like "Sunshine" in Remember The Titans before he gets his hair cut. Derrick Williams was none of those things. It just didn't match up to what was in my head so that probably didn't help matters. His acting also seemed pretty shoddy to me.

The good? Teal Wicks as Elphaba was pretty good. Again, her acting didn't seem all that great at spots but her vocals were amazing. She constantly blew me away song after song - even songs that I don't particularly like in the show [of which there are several]. Her shining moment came at the end of the first act during Defying Gravity - which is, of course, the show's signature song. She was absolutely incredible during the song and during the last few seconds of the act when she's raised above the stage for the finale, she took it to a whole other level and really created a breathtaking moment. There were a sprinkling of wet eyes all around when the lights came up for intermission to be sure.

But the shining star by far in this production of Wicked is Erin Mackey as Glinda. And it wasn't the vocals - although those were nothing to sneeze at. But she had the character down pat. She WAS Glinda and really gave me a glimpse at how Kristin Chenowith must have been in that role. She had all the little things down so well. The hair toss-toss, the voice, the attitude - it was an incredible sight to see and she had the crowd in the palm of her hand every second that she was on stage. If you get a chance to see the show with her in it, do so - you will not be sorry.

As for the musical itself, Wicked is an interesting one for me. While there are songs in the show that I really love [Defying Gravity, For Good, Dancing Through Life] - the songs that I dislike, I STRONGLY dislike and won't even listen to when they come up on shuffle on my iPod. If you contrast that to Rent which has maybe one or two songs that I skip, Wicked comes up a bit short. I've never liked the start of the show as I think it builds too slowly and starts off flat with two numbers that don't do much. In fact, when I first saw the show, I thought I was going to hate it until Elphaba's "The Wizard And I" number. From there, they hit a strong patch from "What Is This Feeling" all the way through to the end of the first act with the exception of "Something Bad" and "A Sentimental Man" - although having Steve from Married With Children singing the latter seemed to add something to it that doesn't come across well on "tape." One of my other problems with Wicked is that it's top heavy. The second act only has two musical numbers that I really like which makes it come off flat. But it's paced faster so you really don't notice it too much.

All in all, this production of Wicked is very well done and with the amazing Pantages as its' home, you're doing yourself a disservice if you're a musical fan and you don't get down to Hollywood to check it out before the end of the run. Also, as a "sneak peek," the new season at the Pantages for 2009 looks awesome with runs of Phantom, Rent, Legally Blonde, Mamma Mia, and Grease among others. Add to that OCPAC getting Avenue Q next year and it should be a fun year for musical fans in SoCal.

And speaking of Rent...

Rent Filmed Live On Broadway


Someone at work who knows I'm a huge Rent fan tipped me off about this. As some of you may be aware, my favorite stage musical just finished up its' Broadway run in September. In tribute to this, they taped the final two Rent performances and spliced the footage together to show the entire musical from start to finish. They also hyped that original Rent cast members would be involved as well. This was set up as a series of special screenings - $20 per ticket over a few nights. As a long time fan of Rent, I just had to check it out as I've always wished they would release all musicals in this fashion on DVD once they had hit the downslide of their run.

After seeing it, I was a little torn. On the plus side, they really did capture the feel of being in the building for the show. With the digital projection, the film was crystal clear and the sound was great. The editing was a little weird for me though. They opted to do a multi-camera shoot of it as opposed to just doing one stationary "wide shot" camera - which probably was the right decision as it allowed for zooming in on actors' expressions and the like but to someone who is used to the musical as it is, it was a little odd to see.

That being said - it was still Rent so I loved it. The music was great, the acting was solid. I thought the person playing Roger was one of the best I had seen in that role as most Rogers tend to get a little screamy at points but he always seemed in control of his voice. The rest of the cast was good enough - nothing super-impressive but it was good.

The biggest disappointment in this was the much-hyped appearance by the original cast who simply walked on stage and sang "Seasons Of Love" with the current cast. Nothing great at all. I guess it was kinda cool to see the old cast back on that stage but... eh, whatever. If you're going to see it for that reason, skip it. But if you've never seen Rent before, this is a decent way to get introduced to it. In the end though, I thought the experience fell a bit flat compared to seeing it on stage. It was better than nothing and I'm hopeful it gets released on DVD but given the choice, you should make an effort to see it on stage whenever the chance prevents itself.

Whew. Annnnnd I'm spent. Well, at least it'll get those rabid Blue fans who wanted this review to be done off my back.

2008-09-18

Blue's Reviews: Bad Monkeys

I finished reading "Bad Monkeys" by Matt Ruff a couple weeks ago but just never got around to reviewing it. This seems as good of a time as any to do so.

I dug the hell out of this book.

The author shows a lot of wit and clever humor throughout it. Fans of the Chuck Pahlanuk books like "Fight Club" or "Choke" would probably really enjoy this. And as I told a friend to his annoyance, "It's an easy read so you'd probably like it." Ehhh... I'm a dick. What can I say?

Back on target, I find that three things tend to make me buy a book.

1] Word of mouth
This is the most important one. If someone I trust gives me a suggestion, I often pick it up to see if they were on target. Of course, just as often, I totally ignore suggestions because I'm a dick [see above.]

2] The cover
So, I'm a sucker when it comes to an interesting cover. It's the first thing likely to grab someone's attention and I think authors/publishers who have a boring cover are likely missing a large potential audience.

3] The plot synopsis
A couple paragraphs to sell your book to me are absolutely key. I hate reading pages to "see if I'll like it" so if that back jacket doesn't convince me, you've likely lost me.

"Bad Monkeys" was a random pick-up, no one suggested it to me. But the cover...



...definitely got my attention.

If that wasn't enough, the back jacket reads:

Jane Charlotte has been arrested for murder.

She says she's a member of a secret organization devoted to fighting evil. She says she's working with the Department for the Final Disposition of Irredeemable Persons aka "Bad Monkeys."

Her confession lands her in the jail's psychiatric wing and earns her countless hours of poking, probing, and questioning by a professional. But is Jane crazy or lying?

Or is she playing a whole different game altogether?


How can you not buy that?

Some books you read and instantly become obsessed with the idea of them as a movie - this one will do it. Ever since I finished it, the aspiring screenwriter in me has envisioned different ways to do it on the silver screen. I think it'd take some tinkering but it'd be a hell of a flick to see.

Also, it has the kind of twist at the end that would make M. Night cry himself to sleep wondering what happened to his talent.

It's dark humor mixed with very cool action and a twist of the supernatural in a killer combination that works itself out in awesome fashion.

Did I mention it's an easy read?

Read it, suckas. You'll be glad you did.

2008-09-14

Blue's Reviews: Tropic Thunder


So, the Missus and I decided to try and start catching up on some movies we've missed over the past couple months. Oddly, it seems like we've seen most of the dramas/actioners but our comedy fill wasn't quite met. Pineapple Express, Hamlet 2, and Burn After Reading remain on the list but last night, we crossed Tropic Thunder off the list.

Now, I hate movie reviews for the most part. Same thing for music reviews. Most of the time they're just filled with uber-pretentious shit that anyone who actually goes to a movie for fun could give a flying fuck about so instead, I'm going to make an effort to keep it real, yo.

Tropic Thunder is a story of two movies - one that at times could be as boring as watching shit harden in the desert sun (never done it to tell the truth but I bet it's dull!) and the one that at times was just absolutely brilliant. It's rare to see such a duality in a movie actually. Usually, it's just really good, really shitty, or really blah. This one manages to pull off really good and really shitty AND really blah all in two hours.

The acting was hit and miss with some really funny stuff and then just some really kinda there stuff. The Robert Downey Jr. as a black guy routine got kinda old pretty quickly. Oddly, I never got tired of the Simple Jack voice. It's the little things, you know? Jack Black was awesome in it as his usual overacting self. Nick Nolte was entertaining. Shockingly, it was Tom Cruise who stole the show - of course, if you stayed for the end credits, that too got old quickly at that point.

I realize it sounds like I didn't like this movie but I actually kinda did. I just thought it was poorly paced and was probably a bit too long for what it was. On the other hand, I think it's absolutely amazing as a "rehab" flick for some careers that were spiraling down the shitter. As mentioned before, Tom Cruise was awesome and it made me appreciate Tom Cruise again. Nick Nolte was fun in it and almost made me forget The Hulk. Matthew McConaughey even got in on the fun with the most entertaining I've seen him in a long, long while too. Plus, Jack Black got to wash the stink of the Tenacious D movie off himself. So many actors went into this movie soiled and came out much better than they were.

Would I go see it again? Nah, probably not. I'll probably watch it when it makes the movie channel rounds though. Would I buy it? Again, probably not, but I've been known to change my mind on such things after repeat viewings.

All in all, it was a fun way to spend two hours but I don't think it'd crack the upper echelon of my favorite movies I've seen this year.

2008-06-11

Blue's Reviews: R.E.M. @ The Hollywood Bowl - 5-29-08


Yeeesh.

Okay, so I totally forgot to do my review of this until last weekend in Vegas when someone asked me how the show was. I feel bad because I really did mean to do it in the day or two that followed but my brain pulled a total swing and a miss on that one. Alas, the best laid plans of mice and men.

But better late than never, right?

Right!

I have seen a lot of bands perform in the 14 years that I have been attending concerts and as such, I have seen a lot of brilliant front men. I've seen Springsteen, I've seen Vedder, I've seen Grohl, I've seen Ozzy, and so on and so on.

Michael Stipe has the very rare ability as a front man to reach way down deep into his musical soul and touch every single person in the building. And it's not just a voice thing - although his unique voice is still tremendous after all of these years. But it's his raw emotion on stage when he performs. During every moment of every song, Stipe has the uncanny ability to make you feel like he is putting every ounce of himself into that moment. And that's really the best compliment I can give an artist, I believe.

Most reviews of this show will focus on the technical difficulties. This was my first time at the Hollywood Bowl where I really felt there were severe problems with the sound. I have seen a handful of shows at the Bowl over the years and it generally is one of the best sounding venues you will find. But not on this night. The sound was... quiet. The volume was just simply too low. It was low to the point where you could hear clearly annoying conversations going around on all sides. It's so low that on an mp3 of the show that I located, you can hear conversations going on around the taper. It was bad... pure and simple.

And yet, I still managed to enjoy the show. The National was a tremendous opening act, completely living up to all the hype they have been receiving on the Internet over the past few months. I was into their set despite not knowing a single song. In fact, going into the show, I only knew I was curious to see them because they had the good taste to do a Springsteen cover at one point. Now, I think I will buy the album in the near future.

The other opening act on the other hand was Modest Mouse - a band that provoked the wife and I to discuss amongst ourselves [and with others via text message blast] the worst opening acts we had ever been forced to suffer through. Names like Iggy Pop, like Candlebox, like Courtney Love, like Johnny Gill were tossed about. Modest Mouse would be right at the top of that list any day of the week. It was horrid - just plain horrid. Screeching, growly vocals that were grating to the ears and made me long to Van Gogh myself and not have to suffer any more.

But once R.E.M. took the stage, all seemed right with the musical world. It was our third time seeing Stipe and the gang - and each of the three seem to stand out as unique in my mind. The first time was our "first date" and I can still recall moments of that show very vividly despite it being over ten years ago. The second was a rainy night for an outdoor show - made a little unique by Stipe belting out a little "Have You Ever Seen The Rain?" during a brief cloudburst.

The Bowl show is no different with very standout moments still clear in my mind. Take a look at the setlist here and I'll point out a few winners:


Setlist
1. Pretty Persuasion
2. Living Wells The Best Revenge
3. What's The Frequency, Kenneth? - The first song of the night to bring people out of their seats. It was definitely a "KROQ crowd" that responded mostly to the big hits although there were a lot of diehards in the house as well. I haven't really enjoyed this song for years but they somehow managed to make it fresh again, really rocking the crowd hard.

4. Sitting Still
5. Ignoreland
6. Man Sized Wreath
7. Circus Envy
8. Drive - I actually have grown to hate this song over the years but once again, hearing it live really energized it for me. The crowd didn't seem to care much for it but I was really digging it.

9. Accelerate - One of the songs off the new album that I really like. It has a lot of energy behind it and even people who seemed unfamiliar with it looked like they were enjoying it.

10. Hollow Man
11. Fall On Me - Ah, yes. The wife's favorite R.E.M. song which prompted much squealing, leg pounding, and then of course, singalonging from her. I'm not sure we've ever seen them perform this live so, being as it is her favorite, a very special moment for this one.

12. Houston
13. Electrolite - Dedicated to Southern California [of course]. Another highlight of the show. Stipe told a funny little story about how the entire band wanted this on their album and he hated it and wanted it cut out. Just goes to show that even the best front men don't always get it right.

14. Final Straw - I believe this was the song he "dedicated" to George Bush while promoting his vote for Barack Obama [which obviously earns him "street cred" in my world.] Some people complain about musicians slipping politics into their music - I think that's bullshit. Music is an expression of art as much as writing is - how many writers get told to shove their political views and just write? Fuck that. Michael Stipe - you keep telling people to vote Obama in the fall.

15. I've Been High - My personal highlight of the night. He introduced the song by saying flat out that they were still trying to figure out how to play this one. Honestly, never heard the song before that night and it gave me chills. This is one of those songs that you could feel anywhere in the Bowl. They knocked it out of the park and shouldn't change a thing in the arrangement in the future. Much better than the studio version that I've now heard as well.

16. Let Me In
17. Losing My Religion - We discussed after the fact if they really enjoy playing this song anymore. I mean, don't get me wrong, they absolutely rocked the house with this one and had all the KROQers going nuts [we noticed a bunch of people leaving after this one too] but I'm always curious if bands that get superknown for one song grow to resent that song. When Soul Asylum played our college years ago, we all marveled that Runaway Train wasn't on their setlist - but really, would you want to play it either if you had years of material you liked better?

18. Horse To Water
19. Bad Day
20. Walk Unafraid
21. I'm Gonna DJ - This is actually a really weird song that I didn't like the first couple times I heard it but it's growing on me. How can you hate lyrics about wanting to DJ at the rapture? Gold, baby... gold.

Encore

22. Supernatural Superserious
23. The One I Love - One of my favs. Didn't really do much for me though after still being entranced by I've Been High. Seriously, even this far removed, that song was still sticking with me.

24. Until the Day is Done
25. Happy Birthday - Much like the Kate Nash show I reviewed a few weeks ago, this is just one of those little things that people will remember about a show to make it special to them.

26. Man On The Moon - I think I liked it better when they used to close with "It's The End Of The World..." But it'll do, donkey. It'll do.


Match the fantastic music with an amazing set backdrop and it made for one hell of a killer show. Of course, everyone wishes the sound was better but at some point, you gotta get past it and enjoy the show, ya dig?

Anyways... if you get the chance to catch R.E.M. in your town, even if you're not the biggest R.E.M. fan [and I'm not] you should do so. You will not regret it.

To wrap it up, I found a few YouTubes from the show you might enjoy.





2008-06-02

Blue's Reviews: Indiana Jones And The Kingdom Of The Crystal Skull

SCREENPLAY PAGE COUNT: 53
Yes, it's still at 53 but it's a solid 53 and I'm just trying to wrap my brain around the next step. It should increase in the next couple of days.

But until then...

The reason I waited so long to write a review of the new Indiana Jones movie is that it'a hard one to review without some pretty major spoilers involved so I wanted to give everyone a decent amount of time to see it. I'm going to attempt to keep major spoilers out of it but I make no promises.

With that in mind, some spoiler space to give you room to flee the scene.





If you're still with me, I'm assuming you've seen the movie or just don't give a damn about what you know about it going in.

Indiana Jones And The Kingdom Of The Crystal Skull [or IJATKOTCS - for "short" going forward] is definitely an Indiana Jones movie in every sense of the word. What do I mean by that? If you look back at the Indiana Jones movie in retrospect, they follow a pretty standard formula.

1. Indy has minor unrelated - but sorta related - adventure to start the movie. This one actually started with something more related to the main plot than any of the others so far - something that caught me a little offguard but was surprisingly effective.

2. Indy finds out about major item he must pursue. This is the scene from Raiders when the government approaches him or in TOD when the tribe tells the story of the stones. Usually, this scene consists of Indy not really wanting to pursue the item in question but ultimately he has some kind of major personal entanglement that draws him into it - be it Abner Ravenwood, the kid dying in his arms in Temple, the news about his father in Last Crusade, or an old friend gone missing in this one.

3. Indy is skeptical about the "power" of the item he's chasing. This always happens. He mocks the Ark, he makes fun of the "magic rocks", he belittles his father chasing the Holy Grail. This is no different in Crystal Skull.

4. Indy starts to believe as he draws closer.

5. The power of the item and Indy's ultimate belief in it saves the day.

Crystal Skull follows the formula to a tee - and therefore, is definitely an Indiana Jones flick in every way.

There were definite fears that people had coming into this movie
-- Harrison Ford is too old? FALSE! Indy looked fantastic and Ford played him with the perfect mix of self-deprecating realization of his age and the swagger that Indy carries with him.
-- Shia will tank it. FALSE! Having watched this before I watched Transformers, I was actually surprised at how well the kid pulled off being in this big of a movie. He's there but never overbearingly so. He has little quirks and charms about him that make you laugh. Would I pay to see him star in his own Indy movie? I'd give him a shot at it, sure.
-- Lucas will kill it. FALSE! This fear comes from those who run around screaming that George raped their childhood - fuck those guys. With the exception of a couple scenes that looked like George having fun with his CGI toys, I didn't see anything that struck me as George going crazy.

Did the movie have its faults? Sure. There are a couple of cringe-worthy moments that I wish hadn't been put in there - but there are far, far more charming Indy moments that fit in perfectly.

Where the majority of fans will draw the line on whether they love or hate this movie is on the central plot... and here's where the big spoilers kick in...

The central plot of this story involves alien life.

Got that?

Flying saucers, hive minds, collective thought, psychic reading and projections, the full nine. The Crystal Skull in question is an actual alien skull that must be returned to a Mayan temple [or was it Aztec?] that aliens actually came down to help build.

Still with me?

Does that sound like a movie you would want to see?

Honestly, if I'm writing it, it's probably not the direction I go. But I had no issue with the subject matter. I had no problem with the central plot being about alien life on Earth. I'm a sci-fi geek - why would that possibly bother me?

But it will bother some people - I recognize that.

In fact, this is the key sticking point in the discussion [let's call it a "discussion " to be civil] with the wife over this movie. You see, she's one of the people who didn't like it and didn't like it for this exact reason. She couldn't buy into the alien aspect of it. She found it silly and not realistic.

I argued that, depending on your point of view, it's no less realistic than the word of God ripping the flesh off people in Raiders or someone living forever by chugging out of the Grail - but that's a whole other debate.

Three Things I Didn't Like:
1. The Tarzan scene - Shia swinging from the vines like a monkey [and leading a monkey army no less] was definitely cringe worthy and really should have been cut from the movie.
2. Indy/Marion - I would have liked to see a little more of them together in a non-action movie scene. There was a story that needed to be explored a little bit more there that got shoved aside. I understand that you don't want a huge love story chat in mid-action movie but...
3. The alien plot - I know, I know. I didn't love it - wouldn't have been the direction I would have gone. I thought it was fine and didn't have a problem with the realism or any of that stuff. My issue was more with it didn't live up to the quality of the central plot in the other three.

Three Things I Did:
1. Indy/Marion - while I would have liked to see more of it, there's something very magical about those two characters on screen together. Indy's one liner about all the women "not being her" was enough to make the whole movie worth seeing [for a diehard anyways.]
2. The standard crazy Indy action. Chases through the jungle. Killer ants. Atomic bombs going off. It's over-the-top crazy action but still damn fun after all these years.
3. The music. I swear, they could set 120 minutes of those monkeys throwing shit at Indy and if they set it to John Williams' music, it'd be all good in my book.

Well, this was quite the disjointed review.

But in the end, I really wanted to love this movie - and while it may not be up there in my head with the others, I think it's definitely a worthy part of the series.

If you like the other Indy movies and if you can get past the alien stuff in your head, go check it out for sure.

2008-05-15

Blue's Reviews: Kate Nash @ Henry Fonda Theater in Hollywood (5/14/2008)


God, I feel old.

A lot of stuff happened yesterday and today that I feel the need to post about but I'm still tired from last night. What I expected to be a late night turned out with me going to sleep around 3 AM after watching the DVRd Laker game. But hey, at least I didn't have to go to work this morning, eh? EH?!

Anyways... I'll slowly get to all the topics, I think, but I wanted to start with this one while it's still fresh in my mind.

Blue's Reviews: Kate Nash @ Henry Fonda Theater in Hollywood (5/14/2008)

Too many bands that go out on the road these days have forgotten their early days - those days where they had just gotten a little bit of the spotlight shined on them and they were loving every minute of it. You know the kind of show I'm talking about. The shows where everything seems pre-determined and well-plotted... like a paint by numbers kit come to life. Kate Nash is enjoying that glimmer of spotlight that is just starting to bounce off her colorful personality and it shows.

The lovely Ms. Nash and her backing band hit the stage at Hollywood's Henry Fonda Theater around 10:15 PM and never looked back, blistering through a very full set to the enjoyment of the crowded house out on a school night to watch the final show of her U.S. tour. When the curtain raised at the self-titled "Music Box," the screams filled the air. A simple stage was on display - the only sign of set decoration a velvety curtain hanging behind the band with a neon sign proclaiming "Kate Nash." It seemed fitting for a show that used very little in the way of frills to entertain the crowd. They knew the fans were there to hear Nash and her vocal gymnastics and they did nothing to disappoint.

From Moment One, Nash sat down in the middle of the stage behind a keyboard and proceeded to rock that keyboard so hard that there were times I was certain a key or two was going to get shattered. I don't think I've seen a keyboard rocked that hard in person since seeing Moby a few years ago. Unfortunately, my immediate fears about this show were realized during the opening couple of numbers. In the days leading up to the show, I had seen a few reviews complaining about the vocal mix at points in the show. Personally, I'm of the opinion that the vocal mix was fine but the backing band was way too loud for the type of music they were backing. And I think Nash felt that at times because there were portions of the show that devolved into her screaming to be heard over her own band.

When they ventured away from the keyboards to Kate on the guitar, the show was worlds better as the vocals were clear and crisp. It was at this point of the show that Kate Nash's vocal stylings really shine. Oddly, at times, she reminded me of Bjork - not in song structure or style but rather in the unexpected qualities she brings to the table. Nash does not take the safe path on any songs and seems to be experimenting with the way she likes to sing them best. Her ability to shove about 180 words into one lyric is quite impressive as well.

The audience seemed to made up primarily of young girls, who were quite willing and able to dance and sing along to every song she sang. For a fairly new artist, she has quickly gained a very devoted following who were already waiting for the doors to open two hours before the show. Nash was obviously grateful for these fans as she took a very public route into the venue, stopping to sign autographs and take photos with screaming fans along the way.

It is that type of gesture that really shows Kate Nash is still getting settled into her fame. When you go to a concert, more times than not, it is the little things that you remember - those fleeting moments that will stick in your head years later. For some of the fans in the crowd last night, it'll be her singing Happy Birthday to a young lady in the crowd who shouted out that it was her birthday. Or perhaps it'll be the moment she dedicated her anti-man anthem "Dickhead" to a couple specific dickheads referenced by the girls in the crowd.

For me, it comes towards the end of the night. Her opening act, the Trachtenburg Family Slideshow Players, are a family act with a father, mother, and 14-year old daughter. At one point during her set, Kate invited the daughter, the drummer for her family band, on stage to help out with percussion during a couple songs. However, towards the end of the night, the young girl wandered out from backstage to watch the end of the show from behind the security barricade during Kate's big hit "Foundations." During the song, security decided to make the girl leave which brought the show to a screeching halt as Kate stopped the song, berated the security to leave the girl alone as she's "part of the band" and then re-start the song from the beginning to wild cheers from the crowd.

It's that kind of spontaneity that makes a show memorable. Any band can go through their setlist, ignoring the crowd except for a few well-planned "How y'all doin' tonight?" during instrument changeovers. But very few still have the level of interaction to make their fans feel like they're important to the person on stage.

Oh, and a little secret? I think Kate Nash has a punk rock side dying to crawl out from behind her multi-colored dress into the spotlight. At two points during the night, she seemed to relish in the opportunity to turn her songs up a notch into very close to a full-fledged punk song. In fact, during the encore number "Model Behaviour" in which she encouraged fans to sing along to the chorus ("You don't have to suck dick to succeed") this old-timer who has been to his fair share of punk rock shows could have easily seen an old fashioned stage dive to end the set.

Alas, it was not to be.

All in all, it was a really fun night at the Henry Fonda Theater with just a few sound problems preventing me from giving the show an overwhelming thumbs up. But Kate Nash and the band are definitely an act to keep an eye on - let's just hope they keep their enthusiasm and charm intact as they grow together.