The Holiday Season Begins

I guess it's started.

Working in retail, you get exposed to the start of the Holiday season a little earlier than most. When we got back from our NoCal trip, I came back to work only to discover that the Christmas decorations were in full effect throughout the mall - and this was the last week of October. With Christmas being my favorite holiday anyways, it's not difficult to get me in the spirit usually.

I resisted a bit - stunned that Christmas decor was up before Halloween. I skipped Christmas music when it came up on random on my iPod for weeks. A week or so ago, I was on my way to work when a Christmas song came on and suddenly, I had to think about if I wanted to skip it. That's when I knew I was close.

One day at work, the same day in fact, there was a choir of kids upstairs singing carols that I could hear from inside our store. At first, I thought it was too early but the more I heard it, the merrier I felt.

Last night, there were Christmas commercials on TV - and I felt a bit giddy about it.

Today, while cleaning the apartment with the Missus, I turned the TV to the "Music of the Season" channel and left it on all day. Christmas music throughout the house before Thanksgiving... yep, I'm there.

Oh, and don't get me started at how giggly I got at the "Christmas at the Disneyland Resort" commercials. I absolutely love Christmastime at Disneyland and am greatly disappointed it's been a couple of years since we were able to go to the park this time of year. It's such a fantastic way to throw yourself headfirst into the season.

Ahhh... it's beginning to look a lot like Christmas.

I've Got Nothing

I just haven't had anything to say lately. I can't write anything on my screenplay either without almost instantly hating and/or second-guessing it. I guess this is what you'd call a serious case of writers' block.

It would have been my friend Danny's 32nd birthday today. I feel bad cause I almost forgot about it. In the past two years, a few of us have gotten together to play poker and have some drinks in his memory but... well, I guess no one wanted [or could?] do it this year since no one's really mentioned it in a while. I think things have been a little weird with the group this year. After last year with two weddings and all the stuff that go with it, I feel like I haven't seen much of anyone this year... especially lately. Everyone's busy, I know... work, unemployment, babies on the way, the economy in the toilet, people fighting with each other... it's just been a weird year. It's a little sad because after Danny died, we all said the right things - how it had brought everyone closer than ever and how we wouldn't drift apart again, keep in touch, make sure we were getting together for stuff, not let the little things fuck things up... but we're human so that stuff always comes back unfortunately. After a while, it's tough not to get right back into taking things for granted.

I still think about Danny quite a bit. Not as much as I have in the past couple years - I guess it gets less and less with time. But there's always those little things that bring him to mind. He'd get a kick out of me working in retail. He probably would have driven down just to come into the store to torment me. He would've liked everyone getting together almost every month for a while - he always liked the get-togethers. He'd be thrown by Brian having a baby. I still remember the night of our friend Steve's wedding - no one thought Steve would be the first to get married. Danny and I spent the entire night just at random looking at one another and saying, "I can't believe Steve's married."

It's the little things. Always will be, I guess.

Still thinkin' of you, pal. Happy birthday.

Fucking Hollywood

As someone who aspires to break into the entertainment industry, it continues to be a sickening thing to watch how poorly creative, brilliant ideas are treated by the corporate whores.

Tonight, despite my pleadings for any and all to watch it, Pushing Daises has been canceled. If that wasn't enough, Dirty Sexy Money, which while nowhere near as brilliant, was at least entertaining, has been cut as well.

I just don't get it.

On the bright side, the deal apparently is close to closed for Arrested Development: The Movie. Now if they can get the entire cast back together for that, I'll be overjoyed.

Quick Dodgers Note

Ahhh, I love the Hot Stove season.

The Manny rumors are on ice for the moment as all the buzz is about why CC Sabathia hasn't signed his HUUUUUUGE offer from the Yankees. "Word on the street" says that he doesn't want to play in New York and is hoping the Dodgers get close enough to make his decision easy.

The most interesting rumor I saw was that it'll end up with the Giants and the Dodgers fighting it out for Sabathia.

Which has one really odd side effect story...

What happens to Manny?

Is it possible that in a weird twist, Manny might find himself without a "serious suitor" at all?

Stay tuned.

Blues' Reviews: Bridge School Benefit Night 2 (10/26/08)

No, the apostrophe is NOT in the wrong place! At long last - the joint review that we promised of the benefit show we went to almost a month ago. Better late than never, eh?

Comments from Mr. Blue will be in regular text.

Comments from Mrs. Blue will be in italics.

Get it? Got it? Good.

Wow. I can't believe it's almost been a month since we were up in Mountain View toasting in the hot late afternoon sun. Bridge School is one of the few shows where I don't mind sitting in the lawn area. What's so great about this show is the diverse group of people that are in attendance - young, old, college kids, married couple with kids, frat boys and sorority chicks, grandparents, etc. I heart Bridge School...it's for a good cause, the music is great, and it's a perfect excuse to go up to the Bay area to check out all the other wonderful nearby places.

She's right about all the things that made Bridge School so special and unique. I love the fact that everyone does an acoustic set - no matter what. There's got to be a real temptation to sway away from it like KROQ did with Acoustic Christmas as I imagine some acts are quite resistant to the idea. The diverse crowd is definitely a plus as is the kickback atmosphere. There's no worries that a mosh pit is going to break out six feet away. I don't even feel concerned that a fight is going to happen - a rarity in almost any crowded situation anymore. The lawn is very chill, very kick back with people just enjoying the music and having a good time. Sure, you get your share of people who drank a little too much but that happens. In the two shows we've been to there, I've never seen a fight or anyone throwing up and in the end, that's good enough for me.

We arrived in the lawn a few minutes before the show started. As I mentioned earlier, it was hot, so after getting situated, I went to go grab some ice cold beers. When I got back, the show had started and this part gets cloudy for me (must be the ADD) because I don't remember much about the first band, Cat Power. And that's all I have to say about that.

It MUST be the ADD - or all the secondhand pot smoke. Shows at Shoreline are odd - especially all-day shows. You get scorching hot during the day and freezing cold after dusk. I wore jeans to prepare for the cold so I did my very best Huck Finn impression by rolling my pant legs up to my knees while it was hot. We had spread out a sleeping bag to sit on [most people bring blankets or what have you to stake their claim on the lawn] and were trying to inch it close to the people in front of us so that no one would walk in front of us. It was a failed effort despite my many attempts to make a minefield by strategically placing backpacks, shoes, and other obstacles in their paths. As mentioned earlier, the lawn at Bridge School is a host of different ages and personalities. In front of us was a family [two parents, three youngish kids] - behind us a group of older folks in their 50s who apparently come quite often from the conversation we had with them. Everyone was very cool and we had conversations with them all at some point during the day.

Somewhere in here there was a stellar display of lawn etiquette as the folks behind us asked first if we minded them smoking cigarettes - then opted to go elsewhere to smoke them so not to disturb the kids in front of us. A little later, they asked if we minded them smoking weed. When we assured them we didn't, they asked if we wanted some. Now THAT'S lawn etiquette. For the record, I didn't partake. I've always been a little iffy about that particular concert activity with strangers.

The show was actually opened with some kind of traditional Native American hoop dance. Whatever. It was kinda cool but the symbolism seemed to be lost on most. One of those little charming things about Bridge School is that all the kids sit on stage behind the bands. Pegi and Neil Young always take the stage to start the show to say a few words about the school to keep everything in perspective of why we're all there. From there, Neil played a couple songs before introducing Cat Power.

Cat Power is a bit of a mystery to me. The folks behind us were very excited about Cat Power as apparently it was one of the woman's favorite bands. I've heard a few covers by them that I dug but nothing that really made me stoked to see them. Nothing I saw at the show changed much of that. They did have an awesome cover of "Fortunate Son" with Neil that I thought was the highlight of their set. That also could be because it was the only song in their set that I recognized - go figure.

The first spot on the lineup is incredibly difficult for any band. The crowd is still trickling in, the sun is bright and scorching - if a band with a slower setlist hits the stage, it gets really tough for them. For what it's worth, Cat Power was much, much better in the spot than the band [who I can't recall] who went on in that slot a couple years ago but I still didn't really enjoy the set that much.



(Sidenote: it has taken Mr. Blue about five minutes to write all of his paragraphs thus far, whereas it has taken me like an hour for my piddly blocks of text. Needless to say, I will not be giving up my day job to become a writer.) Next up was Wilco. What I remember so vividly as Wilco was playing was the father and son in front of us playing with Batman and the Hulk action figures. It was very cute. Wilco was awesome...they played "What Light" which was really cool, but I was really sad and disappointed they didn't play "Jesus, etc."

Wilco was one of the bands that I was most looking forward to seeing live. I've been slowly digging them more and more over the past couple years so I was super-stoked when they were announced on this bill. Where Cat Power failed, Wilco succeeded. They took a person who didn't know many of their songs [me!] and managed to make me entertained by their entire set. From what I've learned after the fact, they even debuted a couple of new songs that I dug nonetheless. Since then, I also bought another song of theirs that they played at the show. The musical highlight of their set was the aforementioned "What Light" but just to add some variety, I'll go with the non-musical highlight of them saying they were from the "pro-America part of America." I maintain it takes a special kind of talent to make live music that someone doesn't know a highlight of the show. Wilco was definitely one of the highlights of the show for me.

As for me, Death Cab for Cutie was one of the highlights of the show. This was the fourth time we've seen them and they definitely didn't disappoint. I didn't really care for their latest single from their new album, well,at least not as much as their last album (which I loved) or older stuff (who doesn't love Sound of Settling?). And then they played "I Will Follow You Into the Dark" which always makes me teary-eyed when I hear it live.

Death Cab has never failed to put on a solid set for me. This wasn't my favorite set by them but they did hit all the spots that everyone expected them to - all the radio friendly hits that the KROQ crowd wanting to squeal for. What a difference two years makes though. When they played two years ago, I remember them getting a really flat reaction - even for the big hits. This time, they definitely seemed to be one of the bands that a lot of people were specifically there to see. I wouldn't really call them a highlight of the show for me since it was just more of the same ol' same ol' but I thought the set was solid and they contributed a quality set to the show.



I was really jazzed when I first heard that Smashing Pumpkins was going to play Bridge School. I've loved the Pumpkins since high school. For the Sadie Hawkins dance, I remember wearing this "SP" t-shirt with a red heart on the front and a bunch of text on the back that said,

"this is a smashing pumpkins t-shirt. rather than ask me why i'm wearing this ask yourself why am i reading this? the message is there is no message. one million souls tossing down their hard earned lettuce for a piece of the hot rock indie alternative pie. i've sold out. how about you? everybody's doing it even if they say they're not. don't ask me cause i don't know. rock saves. it's the next big thing. have you heard the next big thing? i'm part of the revolution. it's all coming down soon. hope you're there."

I loved that shirt. Plus, I remember listening to "Melancollie and the Infinite Sadness" on repeat my second year of college. The last time we saw them was back in 2000 in San Diego which was one of their last shows they played before they split up. Ahhh...good times! They sounded good, but I don't know what I was expecting...maybe them playing some of their old songs? Well, that didn't happen...until Josh Groban joined the Pumpkins on stage and sang "Disarm." That was cool, but then Groban left and then the Pumpkins left and I was left feeling incomplete and wanting more (of their old songs).

This was actually my biggest disappointment of the entire day. I had really high hopes for their set - in fact, they were the sole reason we picked going to Sunday's show instead of Saturday's. Right before they started their set, I said that my dream setlist would consist of "Today", "1979", "Landslide", "Drown", and "Disarm." I guess one out of five isn't bad but considering the rest of the set was all new songs, that was a problem. Unfortunately, the Pumpkins weren't able to pull off the Wilco thing of making you care about songs you didn't know. I really hate when bands decide they no longer need to play the songs that made them famous. It just comes off as incredibly arrogant to me - like their putting their "artistic integrity" above the people who made them. The "highlight", I guess, was the version of "Disarm" that they did with Josh Groban but even that, I wished they had done alone because the Groban addition did absolutely nothing for me. This was a turning point in the show for me because as I looked ahead at Groban, Norah Jones, Jack Johnson, and Neil Young closing out the show, I had little faith that it was going to be good and was starting to feel pretty bummed.



Josh Groban kind of seemed like an odd fit for the bill, but I thought it would be cool to see him after seeing him in Jimmy Kimmel Live's "I'm Fucking Ben Affleck" video. He has a fabulous voice and it was different for the crowd, but it was just okay for me, dawg. But I did find out that he wears glasses.

I'll echo that sentiment. I thought it'd be cool in the acoustic environment for Groban to bust out his crazy good vocal pipes for a set. But here's the weird thing. It's almost like he knew he was going to be an odd fit so he tried to overcompensate for it. He did a Simon & Garfunkel cover of a song called "America" that I absolutely adore but by him, it came off weird. He also did a cover of "Harvest Moon" which made the Neil fans happy but again, it came off weird because it's not the style of song that his voice is well suited for. I was hoping for a little "Mi Mancherai" but he strayed from the stuff that made him famous and ended up bombing for it. Probably the worst set of the show.



Up next was Norah Jones. She did an amazing job with her old songs, "Come Away With Me" and "Don't Know Why"; a Johnny Cash cover of "Cry Cry Cry;" and some new songs with her yet to be named band. A highlight of her set was when she played the piano and sang "My Dear Country" which is about election day.


The great thing about a festival-type show is that there is always an act that surprises you. Norah Jones was that act for me. When I saw her name on the announced lineup, I was really apathetic towards her playing. Even as her set was starting, I assumed it was going to be dull and sleep-inducing. But when all was said and done, the lovely Ms. Jones actually had my favorite set of the day. Between the great covers and the amazing renditions of her own work, I thought it was amazing from beginning to end. The Cash covers were amazing. There was a Hank Williams cover that was cool. Even the stuff of hers that I didn't know was the bomb. I'm prepared to make the very bold statement - Norah Jones saved the 2008 Bridge School Benefit for me.
Oh, and she also covered Wilco - doing "Jesus Etc." to a big crowd reaction.



Ah yes, I forgot about Norah Jones' cover of "Jesus, etc." which was awesome...I love that song!

Hmmm...what do I say about Jack Johnson? I like him, his songs, his melodies...I have a bunch of his cds, even the Curious George one, yet I'm not a huge fan. Does that make sense? I don't know...whatever. He had a good performance. I love "Bubble Toes" and was really happy when he played that. The family with the young children in front of us really wanted to see Jack Johnson, but didn't know that the concert was going to go on that long...in the end they stayed and the kids got to dance to Jack Johnson. Very cute!

So, I mentioned earlier that we had talked to our lawn neighbors throughout the day. Right before this set, I had stood up to stretch my legs and was chatting with the father of the family in front of us. He mentioned he had come to Bridge School years ago to see Springsteen which sounded absolutely amazing. He also mentioned that his kids wanted to come to the show to see Jack Johnson which finally explained who Jack Johnson's target demo is for me. Honestly, this was the set I was looking forward to the least. I'm not a big Jack Johnson fan - I've frequently joked about all his songs sounding the same. So, really, I can't tell you what else he played other than "Bubble Toes." There was one song that turned into a cover of the Stones' "Time Is On My Side" too. The set was okay but nothing really special to me. If I wasn't really wanting to see Neil this year, I would've probably been okay with getting the hell out of the cold weather at that point - the air was moist and our sleeping bag somehow became soaked from condensation.

The hard thing about doing a review of a show that was almost a month ago is that, well, it was almost a month ago and I don't know about all of you, but I can hardly remember what I did yesterday. So you can imagine how hard it is for me to do this review (and I even wrote notes during the show to help me write my part of the review and jump start my memory...yeah, that didn't work). So, now Neil Young is up on stage and he's the headliner. I am not afraid to admit that I am not a Neil Young fan and I really don't know his songs. I was somewhat cold, tired, a bit hungry, and our sleeping bag was soaked. I don't really remember his set and I don't even remember what songs they sang during the end of the night sing-along when the rest of the bands on the bill come out and join Neil on stage (which is usually really cool). I was just so happy that Sunday's show starts earlier than the Saturday one which means that it ends earlier too. All in all, it was an okay show with disappointments from Smashing Pumpkins and Josh Groban and highlights from Death Cab, Norah Jones and Wilco.

I, on the other hand, was really excited about Neil's set as I've grown more and more fond of his music since the last time I saw him. I've gone from really only knowing and caring about "Rockin' In The Free World" to really looking forward to a handful of songs. I can add a handful more [and have to my iPod] since then. Neil had an amazing set that the diehards who had sat through a long day to get to were very happy with. The end-of-show singalong wasn't as cool as when they did Rockin' two years ago but it was still fun to see everyone on stage having a good time. All in all, it was a damn fun show and a fun day overall. It lacked the star power of the '06 show we went to and won't measure up to it over time but I'm very happy we got the chance to see Wilco, Norah, and Neil which were the highlights of the day for me. I'm really looking forward to getting a chance to see Wilco and Norah in a smaller venue some day in the future.



In closing, I'd like to thank one and all for taking the time read through all this. I'd also like to thank my lovely wife for humoring me and putting this review together with me after nearly a month. I'm sure it's not how she wanted to spend an entire Tuesday night after work but she did it without a grumble.

Until next time!

Cash + Dylan = SONIC GOLD!

I've mentioned on here in the past how much I adore mp3 blogs. Not only are they typically on the cutting edge of the best new music hitting the world but occasionally they also dig up a long-lost treasure that you can't believe you've never heard before - and sometimes didn't even know existed.

I posted a link to the Beach Boys rehearsal stuff a few weeks ago that I thought was amazing - well, this one is right up there with it.

Back in 1968, apparently Johnny Cash and Bob Dylan went into the studios together and laid down some work that never saw the light of day. When you're done listening to it, you're going to shed a slight tear that this never came out before.

From the introduction over at Aquarium Drunkard:

This is a true peice of Americana — two iconic masters of their craft conversing with one another via song. Recorded throughout 1969 on three separate occasions, these recordings mark an important historical collaboration between two American poets/musicians. Even a casual fans of either artist should at least give these a cursory listen. Great stuff.

You're welcome.

Blah Blah Blah

On a night where I really don't have a lot to say [I know - a rarity!], I've decided to go to an old standby...

10 Things iPod About You!

One of our favorite activities where we put iTunes to work in cranking out 10 songs on Shuffle and then I discuss said songs in some sort of random, half-ass fashion. Sound like fun?

Great! Let's begin!

MP3s included where possible!

1. The Bells Of Notre Dame from The Hunchback Of Notre Dame soundtrack

Awesome! One of my favorite Disney movies kicks things off with the opening song from the movie. For those of you who haven't seen the movie, here's what to do...

Step One) Take a giant step back
Step Two) FUCK... YOUR... FACE!

Sorry, I had "a moment" there. Seriously though, Hunchback is absolutely one of the most awesome Disney flicks where they actually make an effort to be a little bit darker than most of the Disney movies tend to be. Good music, an engaging story with a hell of a message, and one of my favorite Disney villains. Oh, the song? Well, it's important too because it tells the entire "setup" to the story in a few minutes - establishing the hero, the villain, and our basic plot. From Moment One, you can tell you're going to be watching far from the usual Disney movie. It'd be like an entire movie of that goosestepping hyena scene to "Be Prepared" in The Lion King - scary stuff.

2. Sign O' The Times by Prince

Eh. Not really one of my favorite Prince songs actually. It's okay. Prince always amazes me with the way he shoehorns lyrics into verses that just don't seem like they should fit in there. Like... I would imagine a song like this would be almost impossible to karaoke. Not that I've ever done karaoke. I'd hate to kill my image of omniscient rock god by standing on a stage and poorly singing some song that I can't remember the lyrics to. Anyways, I'm listening to this entire song for the first time in ages - I usually skip right past it when it comes up - expressly for the purpose of writing about it.

3. No One - cover of the Alicia Keys song by a band called Wakey!Wakey!
Fans of this blog know what a fan of covers I am. I'm a sucker for a good one - or a weird one - or sometimes even really bad, ill-advised ones. This one could really fit into any of those categories, I think. There's nothing really remarkable about it to set it apart from the original. It's not a straight take on it because it's stripped down of all the R&B elements to a guy singing with a... I'm gonna guess an electric piano of some kind. The vocals aren't especially good either. This is just... okay.

4. Don't Call Me White - cover of the NOFX song by Rancid

A while back, there was an album released of Rancid covering NOFX songs and vice versa. With those two being two of my favorite punk bands, I was all over it. Surprisingly though, I really didn't care for much of it. The covers just didn't seem as good as the originals and since they're both punk bands, there wasn't a fresh take on the song to take it. So, not shockingly, I much prefer the NOFX version of this song. This is passable but really nothing to go out of your way to hear if you know the original. I still dig both bands but I have to admit, the album sounded much better on paper than in practice.

5. Waiting For My Real Life To Begin - Colin Hay

Colin Hay owes his resurgence on my listening plate to Scrubs - plain and simple. He did an amazing "cover" of Overkill on Scrubs a few years ago and made me set out to check out new stuff whenever it comes out from him. I call it a "cover" because Colin Hay actually was a member of Men At Work so I guess it's not really a cover but rather... a solo reimagining? Anyways, if you're only listening to him for the Men At Work covers [while awesome], you're badly missing out. This is an absolutely fantastic song that should be on everyone's iPod/iPhone/mp3 player of choice. Next time you're on the iTunes Music Store, run a search for Colin Hay and soak up some of the greatness - it always goes down smooth.

6. Sympathy For The Devil - The Rolling Stones

This is going to sound really, really bad for a diehard music fan such as myself but honestly, I think the very first time I ever heard this song was the Guns N' Roses cover of it during the closing credits of Interview With The Vampire. To be honest, I never can quite decide if I like that version of it better. The Stones' version is more iconic and is usually the one I "play" in my head if I think of the song but there's just something about Axl's wild voice tackling it that adds a little spice to it. One of the greatest songs of all time - no matter the artist. The riff, the backing vocals, the main vocal, the drum line... man, all of it is almost instantly identifiable. This is one of those songs that I would love to have on vinyl in some form so that when I finally get a record player, I can spend a sleepy Sunday afternoon lying on the couch listening to the fuzz and hissy Mick Jagger as I'm knocking back a White Russian (been craving a White Russian for days - probably has something to do with reading the book about The Big Lebowski.)

7. Bubble Pop Electric - Gwen Stefani

Hrm. Well. This is one of those songs off the first Gwen solo album that I really want to like. Sometimes I like it, sometimes I don't. Tonight, I wasn't very overjoyed to hear it come up. I'd like to skip it. And so, since I'm in control here - I shall!

8. Gleaming Auction - Snow Patrol

Snow Patrol holds a spot on that very small list of bands that I had tickets to see that I ate the cost of because I decided I didn't really care to see them that badly. I don't much care for this song either. The verses aren't bad. The chorus annoys me. Thankfully it's short!

9. House Of Pain - Faster Pussycat

I think I stumbled upon this song when I was looking for Bret Michaels solo songs. Hey! Fuck you too! Anyways, this is a perfect example of an 80's arena rock ballad anthem. This is the perfect singalong song that you can totally envision a bunch of heavily leathered, mega hairsprayed, barely in their skintight tops rocking out to with their lighters in the air. Real lighters too. Not this cell phone bullshit that people do these days. I actually really like this song as a power ballad and think most people would have it stuck in their head after a listen or two if they give it a shot. Go ahead. Click the link above and listen. I dare ya. Come on, pussies. Do it. All the cool kids are doing it. If you don't do it, you might as well join the marching band or keep stats for the volleyball team or something. Do it! DO IT!

10. What It Feels Like - Lola Ray

As this song starts, I have a strong suspicion that the song will cut off before it's over. I'm almost positive this mp3 isn't complete which means I have no earthly idea where it came from and why since I haven't used a filesharing service in ages. This song is kinda catchy too. I'm not overly fond of it. I have a hard time imagining the moment where I'd go, "Hey, I want to hear that song by Lola Ray!" I also harbor a suspicion that Lola Ray is in some way related to Sugar Ray and I ain't havin' any of that shit, I tell you that! Ever since I saw Sugar Ray at Warped Tour years ago and realized they could have been an okay band until "Fly" came out and the shit hit the fan and then Mark McGrath [that's his name right?] was on every fucking channel on the television. That fucker was a TV whore. He'd host anything that anyone wanted him to fucking host. MTV Awards? Done. VH-1 Honors? So there. Teen Choice Awards? Where do I sign up? Jet Magazine's "I LOOOOOVE BLACK PEOPLE!" Celebrity Extravaganza? I'm soooo fucking in. Anyways, I digress - the song cut off and now some god damn Chris Issak song is on so I'm going to wrap this up before I drown the keyboard in the blood from my slit wrists.

Ocarina Rawk!

It's rare that I feel the need to gush over how utterly awesome an iPhone app is but.. well, today is that day. Today, someone tipped me off to the greatness of Ocarina, an app designed to simulate the instrument of the same name from the Legend of Zelda games. For a whopping 99 cents, you too can use the microphone and touchscreen on your iPhone or iPod Touch to rock out as only a true citizen of Hyrule totally can.

Don't believe me?

Check it out, mang!





And of course...



Simply awesome.